Tag Archives: white zombie

Rob Zombie Wraps ‘Dead City Radio’ Video Shoot

Zombie_Dead_City

 

In a Facebook update this morning, Rob Zombie announced that shooting is now complete on the music video for “Dead City Radio and the New Gods of Supertown,” the first single off his upcoming album Venomous Rat Regeneration Vendor. Rob didn’t divulge the visuals yet, but declared it to be “pretty fucking cool,” and added “For all of you hoping for an old school weirdo style Zombie video… well, you are gonna get it. Big time!” The editing process is about to begin, and Rob said the video should premiere soon.
Rob also recently revealed in an interview with Revolver magazine that Venomous Rat was originally conceived as a concept album, and may become a movie itself. “I was getting obsessed watching things like Tommy, The Wall [and] Quadrophenia, where you have a movie to go with the album and it’s a whole big concept. So I thought I’d write this album with that in mind: That maybe one day – it could be a year, it could be ten years – I could turn the concept of this record into a movie. That being said, nothing about the concept of the record will make any sense to anyone until it’s a movie. The band doesn’t even know the storyline. No one does, except me. But I won’t discuss it, because it’ll all make sense someday. Or it won’t.”
Zombie_Rat_CD
Venomous Rat Regeneration Vendor is slated for release on April 23, just a breath after the 4/19 premiere of Rob’s long-awaited The Lords of Salem (FEARnet recently reviewed the film; check out that article here). While you wait, and to get you primed for the video, give “Dead City Radio” a spin!

 

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ROB ZOMBIE Says ‘Venomous Rat’ CD ‘Was Conceived As A Concept Album’

“Venomous Rat Regeneration Vendor”, the eagerly awaited new album from ROB ZOMBIE, will be released on April 23 on Zodiac Swan/T-Boy/Ume. The CD was produced by Bob Marlette, who has previously worked with everyone from BLACK SABBATH and ALICE COOPER to WILSON PHILLIPS and LYNYRD SKYNYRD.

Asked what the story is behing the album’s title, Rob told Revolver magazine: “There’s no real story behind it. I just thought of it one day. With every album I’ve ever made, we’ll get it basically one hundred percent done and everyone will go, ‘OK, what’s the title?’ And I’m like, ‘I don’t know what the fuckin’ title is yet. It hasn’t hit me.’ And then one day I’ll just blurt out, ‘La Sexorcisto: Devil Music, Vol. 1!’ or ‘Hellbilly Deluxe!’ It’s the same with this one. I have it written down somewhere, but I don’t remember doing it.”

He added: “Truthfully, the whole record was conceived as a concept album. But I’m not really selling it that way. I was getting obsessed watching things like ‘Tommy’, ‘The Wall’, ‘Quadrophenia’, where you have a movie to go with the album and it’s a whole big concept. So I thought I’d write this album with that in mind: That maybe one day — it could be a year, it could be 10 years — I could turn the concept of this record into a movie. That being said, nothing about the concept of the record will make any sense to anyone until it’s a movie. The band doesn’t even know the storyline. No one does, except me. But I won’t discuss it because it’ll all make sense someday. Or it won’t. [laughs] lt doesn’t matter. The songs work fine even if you don’t know the concept.”

Regarding his decision to include a a heavy-duty cover of GRAND FUNK RAILROAD‘s “We’re An American Band” on “Venomous Rat Regeneration Vendor”, Rob said: “I’ve never recorded a cover song as a solo artist, and I only recorded a few with WHITE ZOMBIE [KISS‘God Of Thunder’, BLACK SABBATH‘s ‘Children Of The Grave’ and KC AND THE SUNSHINE BAND‘s ‘I’m Your Boogie Man’]. But you always wanna add new songs into your live show, so [Zombie’s guitarist] John 5 and I would always sit in the back of the bus listening to stuff we could cover, but it was always like, ‘Nah, that one’s not right.’ Cover songs are tricky. You gotta find just the right one. ‘We’re An American Band’ hit us because it just felt so much like our life. We’re a quintessential American band — everything that’s right or wrong in Americana in one band. It wasn’t like we were trying to say anything deep or meaningful. [laughs] It was just like, ‘Yeah, we’re in a rock band. Fuck you — it’s awesome.'”

“Venomous Rat Regeneration Vendor” track listing:

01. Teenage Nosferatu Pussy
02. Dead City Radio And The New Gods Of Supertown
03. Revelation Revolution
04. Theme For The Rat Vendor
05. Gong Gang Gong De Do Gong De Laga Raga
06. Rock And Roll (In A Black Hole)
07. Behold! The Pretty Filthy Creatures
08. White Trash Freaks
09. We’re An American Band (GRAND FUNK RAILROAD cover)
10. Lucifer Rising
11. The Girl Who Loved The Monsters
12. Trade In Your Guns For A Coffin

Zombie told The Pulse Of Radio what goals he set for himself in making the new album. “I wanted someone to hear it and go, ‘Wow, I haven’t heard that before,'” he said. “I wanted it to be just different. We really went out of our way with the sounds, so every song has a very different sound, a very different guitar sound, drum sound, just everything, where the sound, the actual sound becomes very important. You know, after all these years you want to still try to feel that you can break through new, creative areas in your own mind, and that’s really what we’re just trying to do, you know.”

ROB ZOMBIE: ‘Venomous Rat Regeneration Vendor’ To Be Released On Vinyl

“Venomous Rat Regeneration Vendor”, the eagerly awaited new album from ROB ZOMBIE, will be released on April 23 on Zodiac Swan/T-Boy/Ume. The CD was produced by Bob Marlette, who has previously worked with everyone from BLACK SABBATH and ALICE COOPER to WILSON PHILLIPS and LYNYRD SKYNYRD.

According to Zombie, the effort will also “be released on good old 12-inch vinyl.” A photo of the front and back cover of the LP can be seen below.

“Venomous Rat Regeneration Vendor” track listing:

01. Teenage Nosferatu Pussy
02. Dead City Radio And The New Gods Of Supertown
03. Revelation Revolution
04. Theme For The Rat Vendor
05. Gong Gang Gong De Do Gong De Laga Raga
06. Rock And Roll (In A Black Hole)
07. Behold! The Pretty Filthy Creatures
08. White Trash Freaks
09. We’re An American Band (GRAND FUNK RAILROAD cover)
10. Lucifer Rising
11. The Girl Who Loved The Monsters
12. Trade In Your Guns For A Coffin

“I think for the first time this new album perfectly merges the old days of WHITE ZOMBIE with the future of what I am doing now,” says Rob. “I think fans of both will agree that this is the perfect combo of both worlds.”

A rock icon and auteur filmmaker with insight and unlimited vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of music, film, and publishing. Now, the seven-time Grammy-nominated recording artist releases his fifth solo album, “Venomous Rat Regeneration Vendor”, which includes “Dead City Radio And The New Gods Of Super Town”, along with such tracks as “Ging Gang Gong De Do Gong De Laga Raga”, “Lucifer Rising”, “Behold! The Pretty Filthy Creatures” and a heavy-duty cover of GRAND FUNK RAILROAD‘s “We’re an American Band”.

“Venomous Rat Regeneration Vendor” is the first release on Rob‘s new label, Zodiac Swan, through T-Boy Records/UMe.

Zombie told The Pulse Of Radio what goals he set for himself in making the new album. “I wanted someone to hear it and go, ‘Wow, I haven’t heard that before,'” he said. “I wanted it to be just different. We really went out of our way with the sounds, so every song has a very different sound, a very different guitar sound, drum sound, just everything, where the sound, the actual sound becomes very important. You know, after all these years you want to still try to feel that you can break through new, creative areas in your own mind, and that’s really what we’re just trying to do, you know.”

T-Boy Records is veteran rock manager Andy Gould‘s new partnership with Universal Music Enterprises (UMe) which will serve as an umbrella label releasing new music and albums from established iconic hard-rock bands with major followings.

Gould, who currently heads his own Spectacle Entertainment Group, has managed Rob Zombie since his days in WHITE ZOMBIE. Gould‘s track record includes sales exceeding fifteen million worldwide and seven Grammy nominations with Zombie, including securing deals for Zombie to become one of only a handful of people to have unprecedented success for six feature films as the writer and director.

“We have had a great deal of success in the past with Rob Zombie,” explains Gould about his decision to take the new venture to UMe. “We want to sign rock bands with brand names that do good business on the road, and have been underserved by the major label system. The idea I had arose out of discussions with the other managers of major hard-rock acts who all felt their artists could benefit from an improved label experience. We’re looking to super-serve this niche audience, which is tremendously loyal, and is often even larger internationally than here in the States.”

As a musician, Rob Zombie has sold over fifteen million albums worldwide to date. His last studio album was “Hellbilly Deluxe 2”. The CD came a decade after its predecessor, “Hellbilly Deluxe”, the album that established Zombie as a solo artist after the breakup of multi-platinum group WHITE ZOMBIE. That triple-platinum album also yielded a string of successful radio singles, namely “Dragula”, “Superbeast” and “Living Dead Girl”, which dominated the airwaves.

The rocker-turned-film director is the only artist to experience unprecedented success in both music and film as the writer/director of five feature films, with a worldwide gross totaling more than $100 million dollars. The week of his album release, Zombie will premiere his sixth motion picture, “The Lords Of Salem”, that he wrote, directed and produced in tandem with the producers of the “Paranormal Activity” franchise, on April 26, with Anchor Bay Films.

Last year, in addition to working on his film, Zombie also dominated the touring world in 2012, blowing away audiences on the road with MEGADETH, then with MARILYN MANSON for the “Twins Of Evil Tour”. Zombie and his band of maniacs — John 5 on guitar, Piggy D on bass and Ginger Fish on drums — brought their elaborate, multi-media production, complete with hair-raising theatrics, animatronic robots, oversized LED screens, a non-stop collage of psychotronic monster film clips, a spectacular light show, a gigantic robot with flames shooting out of its body, pyrotechnics, insane guitar riffs and vicious beats to audiences and festivals around the world.

 

ROB ZOMBIE: New Single Available For Streaming

“Dead City Radio And The New Gods Of Super Town”, the new single from ROB ZOMBIE, can be streamed using the SoundCloud player below. The song comes off his eagerly awaited new album, “Venomous Rat Regeneration Vendor”, which will be released on April 23 on Zodiac Swan/T-Boy/Ume. The CD was produced by Bob Marlette, who has previously worked with everyone from BLACK SABBATH and ALICE COOPER to WILSON PHILLIPS and LYNYRD SKYNYRD.

“Venomous Rat Regeneration Vendor” track listing:

01. Teenage Nosferatu Pussy
02. Dead City Radio And The New Gods Of Supertown
03. Revelation Revolution
04. Theme For The Rat Vendor
05. Gong Gang Gong De Do Gong De Laga Raga
06. Rock And Roll (In A Black Hole)
07. Behold! The Pretty Filthy Creatures
08. White Trash Freaks
09. We’re An American Band (GRAND FUNK RAILROAD cover)
10. Lucifer Rising
11. The Girl Who Loved The Monsters
12. Trade In Your Guns For A Coffin

The “Venomous Rat Regeneration Vendor” cover artwork can be seen below.

“I think for the first time this new album perfectly merges the old days of WHITE ZOMBIE with the future of what I am doing now,” says Rob. “I think fans of both will agree that this is the perfect combo of both worlds.”

A rock icon and auteur filmmaker with insight and unlimited vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of music, film, and publishing. Now, the seven-time Grammy-nominated recording artist releases his fifth solo album, “Venomous Rat Regeneration Vendor”, which includes “Dead City Radio And The New Gods Of Super Town”, along with such tracks as “Ging Gang Gong De Do Gong De Laga Raga”, “Lucifer Rising”, “Behold! The Pretty Filthy Creatures” and a heavy-duty cover of GRAND FUNK RAILROAD‘s “We’re an American Band”.

“Venomous Rat Regeneration Vendor” is the first release on Rob‘s new label, Zodiac Swan, through T-Boy Records/UMe.

Zombie told The Pulse Of Radio what goals he set for himself in making the new album. “I wanted someone to hear it and go, ‘Wow, I haven’t heard that before,'” he said. “I wanted it to be just different. We really went out of our way with the sounds, so every song has a very different sound, a very different guitar sound, drum sound, just everything, where the sound, the actual sound becomes very important. You know, after all these years you want to still try to feel that you can break through new, creative areas in your own mind, and that’s really what we’re just trying to do, you know.”

T-Boy Records is veteran rock manager Andy Gould‘s new partnership with Universal Music Enterprises (UMe) which will serve as an umbrella label releasing new music and albums from established iconic hard-rock bands with major followings.

Gould, who currently heads his own Spectacle Entertainment Group, has managed Rob Zombie since his days in WHITE ZOMBIE. Gould‘s track record includes sales exceeding fifteen million worldwide and seven Grammy nominations with Zombie, including securing deals for Zombie to become one of only a handful of people to have unprecedented success for six feature films as the writer and director.

“We have had a great deal of success in the past with Rob Zombie,” explains Gould about his decision to take the new venture to UMe. “We want to sign rock bands with brand names that do good business on the road, and have been underserved by the major label system. The idea I had arose out of discussions with the other managers of major hard-rock acts who all felt their artists could benefit from an improved label experience. We’re looking to super-serve this niche audience, which is tremendously loyal, and is often even larger internationally than here in the States.”

As a musician, Rob Zombie has sold over fifteen million albums worldwide to date. His last studio album was “Hellbilly Deluxe 2”. The CD came a decade after its predecessor, “Hellbilly Deluxe”, the album that established Zombie as a solo artist after the breakup of multi-platinum group WHITE ZOMBIE. That triple-platinum album also yielded a string of successful radio singles, namely “Dragula”, “Superbeast” and “Living Dead Girl”, which dominated the airwaves.

The rocker-turned-film director is the only artist to experience unprecedented success in both music and film as the writer/director of five feature films, with a worldwide gross totaling more than $100 million dollars. The week of his album release, Zombie will premiere his sixth motion picture, “The Lords Of Salem”, that he wrote, directed and produced in tandem with the producers of the “Paranormal Activity” franchise, on April 26, with Anchor Bay Films.

Last year, in addition to working on his film, Zombie also dominated the touring world in 2012, blowing away audiences on the road with MEGADETH, then with MARILYN MANSON for the “Twins Of Evil Tour”. Zombie and his band of maniacs — John 5 on guitar, Piggy D on bass and Ginger Fish on drums — brought their elaborate, multi-media production, complete with hair-raising theatrics, animatronic robots, oversized LED screens, a non-stop collage of psychotronic monster film clips, a spectacular light show, a gigantic robot with flames shooting out of its body, pyrotechnics, insane guitar riffs and vicious beats to audiences and festivals around the world.

ROB ZOMBIE – Venomous Rat Regeneration Vendor Artwork Revealed

ROB ZOMBIE will release his new studio album, Venomous Rat Regeneration Vendor, on April 23rd via his new label, Zodiac Swan, through T-Boy Records/UMe. Check out the album art below. An Amazon pre-order is at the bottom of the story.

“I think for the first time this new album perfectly merges the old days of WHITE ZOMBIE with the future of what I am doing now,” states Rob Zombie. “I think fans of both will agree that this is the perfect combo of both worlds.”

A rock icon and auteur filmmaker with insight and unlimited vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of music, film, and publishing. Now, the seven-time Grammy-nominated recording artist releases his fifth solo album, Venomous Rat Regeneration Vendor, which streets April 23rd, and includes the first single, ‘Dead City Radio And The New Gods Of Super Town’, along with such tracks as ‘Ging Gang Gong De Do Gong De Laga Raga’, ‘Lucifer Rising’, ‘Behold! The Pretty Filthy Creatures’ and a heavy-duty cover of GRAND FUNK RAILROAD’s ‘We’re An American Band’.”

As a musician, Rob Zombie has sold over 15 million albums worldwide to date. His last studio album was the long-awaited Hellbilly Deluxe 2. The album came a decade after its predecessor, Hellbilly Deluxe, the album that established Zombie as a solo artist after the breakup of multi-platinum group White Zombie. That triple-platinum album also yielded a string of successful radio singles, namely ‘Dragula’, ‘Superbeast’ and ‘Living Dead Girl’, which dominated the airwaves.

The rocker-turned-film director is the only artist to experience unprecedented success in both music and film as the writer/director of five feature films, with a worldwide gross totaling more than $100 million dollars. The week of his album release, Zombie will premiere his sixth motion picture, The Lords Of Salem, that he wrote, directed and produced in tandem with the producers of the Paranormal Activity franchise, on April 26th, with Anchor Bay Films.

Last year, in addition to working on his film, Zombie also dominated the touring world in 2012, blowing away audiences on the road with MEGADETH, then with MARILYN MANSON for the Twins Of Evil Tour. Zombie and his band of maniacs – guitarist John 5, bassist Piggy D, and drummer Ginger Fish – brought their elaborate, multi-media production, complete with hair-raising theatrics, animatronic robots, oversized LED screens, a non-stop collage of psychotronic monster film clips, a spectacular light show, a gigantic robot with flames shooting out of its body, pyrotechnics, insane guitar riffs and vicious beats to audiences and festivals around the world.