Synopsis: A group of clusterfuck actors, playing exaggerated versions of their real selves, get together to party down Hollywood style. Suddenly some whacked out shit hits the fan, self-absorbed actors bite the big one, horror/comedy ensues and we get a funny film that also gives the viewer a very subtle satire on how people refuse to believe in the Bible but will believe in other things just as farfetched. Continue reading Movie Review: This Is The End (2013)
Zombie recently revealed the track list for the soundtrack of “The Lords Of Salem” and it contains classic songs from THE VELVET UNDERGROUND, MANFRED MANN, Rick James and RUSH in addition to an original score by Zombie‘s guitarist John 5. Zombie told The Pulse Of Radio how he approached compiling the soundtrack. “I mean, I always like to find songs that can represent the film, so there’s at least one song in every movie that when you hear it, it brings back the imagery of the film,” he said. “In this movie, it was a VELVET UNDERGROUND song. I always want to try to find that piece of music early on, even in the writing process. For ‘Devil’s Rejects’, it was ‘Freebird’, strangely enough, and for the last movie it was ‘Nights In White Satin’. Sometimes you just hear a song and you go, ‘This song sounds like how I want the movie to feel.'”
The soundtrack includes MANFRED MANN‘s version of “Blinded By The Light”, Rick James‘ “Give It To Me Baby”, RUSH‘s “The Spirit Of Radio” and THE VELVET UNDERGROUND‘s “Venus In Furs” and “All Tomorrow’s Parties”.
“The Lords Of Salem” soundtrack arrives on April 16, a few days before the movie opens in limited release on April 19.
Zombie‘s own new album, “Venomous Rat Regeneration Vendor”, is due out on April 23 and contains songs such as first single “Dead City Radio And The New Gods Of Super Town”, “Lucifer Rising”, “The Girl Who Loved The Monsters” and “Behold! The Pretty Filthy Creatures”, along with a cover of the GRAND FUNK RAILROAD hit “We’re An American Band”.
Zombie will also receive an honorary award at the upcoming Revolver Golden Gods Awards, which will take place in Los Angeles on May 2.
Movie Review: Behind the Cross
Review By: Tj Fowler
My good friends James DePaolo and Doc Rotten in the states recently referred Finnish film maker Tomi Kerminen my way to review his semi-short film ‘Behind the Cross’ in which he also stars.
In his email to me Tomi says, “Well you can say that it is experimental, aggressive art or avant-garde movie, or snuff film from beyond. Some people say that it is Dada & Anti-Art.” That’s a whole lot of contradictions and labels all in one right there. He also tells me I just have to see it. Boy what an eyeful I got. Continue reading Movie Review: Behind the Cross
“Sacrifice” will now be released on March 1 in Europe (except in the U.K., where it will be made available on March 4) and March 26 in North America through UDR. Taking a sharper, reinvigorated approach to the production, on this, their 20th album, SAXON have produced 10 of their strongest, heaviest and most inspired songs for many-a-year, and a more than worthy successor to their last album “A Call To Arms”.
“Less tricks, more power!” roars frontman and founding father Biff Byford. “My brief to the band was to be raw, be real and not be afraid to look back at the old classic material for inspiration.”
The album was recorded at LS Studios in Yorkshire and was produced by Byford, with Andy Sneap mixing and engineering by Jacky Lehmann. It fairly bristles with muscular metallic intent, Paul Quinn‘s and Doug Scarratt‘s guitar work the best it’s ever been, while Biff‘s vocals sound fresher and livelier. The songwriting too harks back to a classic era in SAXON‘s history, with the likes of “Warriors Of The Road”, “Wheels Of Terror” and “Stand Up And Fight” evoking the halcyon days of yore with a contemporary twist, the classic SAXON sound absorbing the snarl, ferocity and attitude of contemporary bands (and fans) such as MEGADETH, as evidenced by the crunching title cut, “Sacrifice”.
“It’s certainly been done from a more early ’80s thrashier perspective,” explains Biff, “and it’s not just guitars bashing away willy-nilly, they’ve got a fresh drive, purpose and perspective.”
Besides the new material, SAXON will also be adding some unique recordings of revisited classic to certain formats of the release, also produced by Byford and mastered by Andy Sneap, including an orchestrated version of “Crusader” and an acoustic version of “Frozen Rainbow”.
“From the songs to the production, I wanted to focus on the raw aspects which made us great in the first place,” concludes Biff, “And living in that rawness, combined with some great classic SAXON songwriting, has in my opinion made SAXON fresher than ever.”
The “Sacrifice” cover artwork was created by longtime SAXON artist Paul Raymond Gregory and can be seen below.
“Sacrifice” track listing:
03. Made In Belfast
04. Warriors Of The Road
05. Guardians Of The Tomb
06. Stand Up And Fight
07. Walking The Steel
08. Night Of The Wolf
09. Wheels Of Terror
10. Standing In A Queue
* Luck Of The Draw (on iTunes only)
01. Crusader (orchestrated version)
02. Just Let Me Rock (re-recorded version)
03. Requiem (acoustic version)
04. Frozen Rainbow (acoustic version)
05. Forever Free (re-recorded version)
“Sacrifice” (song) video:
Making of “Sacrifice”:
“Sacrifice” EPK (Electronic Press Kit):